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Willingly, if uncomfortably, jumping into domesticity, we watch as they awkwardly reunite and attempt to reconnect, and learn they might no longer be the people each fell in love with in the first place.
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With the strain of long distance weighing on them, Hugo and Amanda make a last ditch attempt to save a relationship in free Fall. The Boston Underground Film Festival presents the second full-length feature from BUFF alum, Robert Putka. Followed by a pre-recorded Q&A with director Stephane Kaas. This unique documentary (presented by Boston Jewish Film) brings to light one of the most renowned Israeli writers of our time. Through animations of his stories, reenactments of his anecdotes, and interviews with family and friends. So, when two young Dutch filmmakers set out to make a film about Keret, they decided to emulate his surrealist style. RoxFilm also includes workshops, panel discussions, networking opportunities, receptions, parties, and Q&A sessions.īoston University, Tsai Performance Center, Boston, MAĮtgar Keret’s surrealist short stories are read and loved around the world. There are films from Boston Public School students, Lynn’s Raw Arts Program, and other student made films from around the country.
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The festival continues through June 29 with a varied lineup of narrative, experimental, and documentary films, including Don’t Be Nice, a rousing documentary about a team of young New York City slam poets competing in the National Championship. Museum of Fine Arts Boston and various venuesĭedicated to celebrating films by, for, and about people of color, this festival begins with a pre-screening celebration on June 19 with a free outdoor screening of Spider-Man: Into the Spider-Verse on the MFA’s Huntington Avenue lawn.
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Employing a literal cast of thousands and an array of innovative camera techniques, director Sergei Bondarchuk conjures a sweeping vision of grand balls that glitter with rococo beauty and breathtaking battles that overwhelm with their expressionistic power setting a new standard for epic moviemaking. The Brattle presents all four parts in this quadruple 1966 feature version of War and Peace.Īt the height of the Cold War, the Soviet film industry set out to prove it could outdo Hollywood with a production that would dazzle the world: a titanic, awe-inspiring adaptation of Tolstoy’s classic tome in which the fates of three souls – the blundering, good-hearted Pierre the heroically tragic Prince Andrei and the radiant, tempestuous Natasha – collide amid the tumult of the Napoleonic Wars. A scene from the epic 1966 version of “War and Peace.” The rise of gay-themed cinema means that this year will be filled with exceptional LGBTQ stories of love, struggle, and triumph. The festival includes specially themed breakfast panels, guest appearances and a broadcast of ‘Modern Love Live’ presented by WBUR and The New York Times. John Cameron Mitchell receives the Filmmaker on the Edge Award and Jillian Bell the Next Wave Award at the 21st Provincetown Film Festival, which means they will be in conversation with John Waters. For newcomers to Arab cinema or devoted fans, this festival is well worth your time. It also includes the touching drama Yomeddine, Egypt’s submission for Best Foreign Language at the Academy Awards. This year’s festival opens with the Lebanese film Capernaum, winner of the Grand Jury Prize at the 2018 Cannes Film Festival. MFA Film, along with The Boston Palestine Film Festival, presents a survey of contemporary films from the Arab region of North Africa and the Middle East. Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.įilm “aKasha,” one of the movies screening at the MFA’s Arab Film Festival.